In June, Cheap Trick released their 20th studio album, In Another World that's chock full of Rick Neilsen’s monster riffs that recall their glory days in the 1970s. In the late '70s, Cheap Trick helped popularize power pop with their songs “Surrender” and “I Want You To Want Me," which were precursors to the pop punk explosion in the '90s with bands like Green Day and Blink-182. It’s really not that big of a deal, just very frustrating.Rick Nielsen is best known as Cheap Trick’s lead guitarist and main songwriter. Sorry for the rant and I apologize if I seem too agressive. I also hope that this was indeed recorded some time ago and that she has come to her senses since, maybe even got a new manager as some on here were suggesting.
Instead, it’s another missed opportunity. It’s a shame really as this could have been a chance for her to shine. What I personally hope for right now is that this song remains in obscurity so that the masses never get the chance to hear Céline this way as she truly is so much better. The fact that the producers keep changing but the sound is the same makes me wonder whether Céline might be behind this and choosing the mics and the effects they put on her voice. Just why did they need to make it sound so dry and airy and scratchy? And why does it only seem to happen to Céline? I first noticed it in 2018 with this recording of “I’m Alive”: The other half of the ‘blame’ (for those of us who dislike the end product) must be attributed to the guys who did the production. I believe René and Aldo would have agreed. I have the right to feel frustrated, sometimes even disappointed or worried because I love Céline Dion the person and her career matters to me simply because I want what’s best for her. That is what people fell in love with and crave to this day. She doesn’t have to please anyone but this is the career that she built, her image. I get that it’s her life and she can do whatever she wants. If anything, she risks alienating the fans she already has. Why can’t she stick to that mindset? She’s not going to gain a new generation of fans by performing songs the way she did “Superwoman”. Céline said it herself when explaining her decision to return to long brown hair in 2004: fans love her because she is the constant in their lives, the thing that through it all never changes. Many fans grew up with her in the 90s and the 2000s. Why can’t she just stick to the winning formula developed for her by René and the other old men in suits decades ago? She can experiment all she wants behind closed doors but when she steps out in public, she’s Céline Dion the artist, the public figure, the Céline Dion with an image she built over the years, the Céline Dion that fans know and love. I find it very frustrating that she keeps “experimenting” with her voice in such unappealing ways and wasting precious opportunities such as this one. Half of the problem is Céline’s delivery. I think this song is alright and Diane probably had a good concept, I don’t blame her for the end result. That's exactly the Celine I love and wanted to bring out. So I offered her this soul song and I think she does a great job. But I always hear this Aretha Franklin element in Celine's voice. People know her as a great ballad singer. For Celine, I've written a lot of songs over the years. Picking the singers for these songs is kind of like casting a movie. Yes, in principle, that's exactly how it works. Do you just call them up and ask "Celine, what does it look like?"
Das ist genau die Celine, die ich liebe und zum Vorschein bringen wollte.Ĭeline Dion sings the song "Superwoman" on her album. Ich habe ihr also diesen Soul-Song angeboten und finde, sie macht das toll. Aber ich höre in Celines Stimme immer dieses Aretha-Franklin-Element. Die Leute kennen sie als große Balladensängerin. Für Celine habe ich über die Jahre viele Songs geschrieben. Die Sängerinnen und Sänger für diese Lieder auszusuchen, ist ungefähr so, als besetzt man einen Film. Ruft man die einfach an und fragt "Celine, wie sieht es aus?" She wants to do different things and she isn’t going to please everyone.Ĭeline Dion singt auf Ihrem Album das Stück "Superwoman". A huge percentage of Celine’s discography is ballads. She has plenty! And Diane said herself, she’s always written ballads for Celine and wanted to give her something different. Proper song with all the aspects of the chorus, verses, bridge, climax and endings Would be tiring if we had any same old big ballads anymore… I don’t think she’s had a single beautiful grand ballad that’s classic Celine since “I surrender” in my opinion! At least not one that every part is there….Ĥ.
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